Pearl |
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What is Pearl like? Consider the musical space between Jon Hassell's fourth-world Possible Musics and the more crimsonesque side of progressive rock - with a complement of exotic percussion, horns, and other assorted indigenous instruments coexisting harmoniously within a synchronized multiple tape-loop framework. The unique instrumentation, unlikely to have been heard before alone or in combination, includes the bronze-age Irish blowhorn, didgeridoo, Tibetan rag dung (long horn), Tibetan singling bowls, Chinese bowl gongs, udu jar drum, tabla, slit drum, dhumbek, and oud along with the Chapman electric stick, electric / acoustic guitars, and Kurzweil synthesizer.
Pearl features eight cuts taken from recording sessions from summer 1999 and during the first half of 2000. This is abstract music with a very human and universal center... an opportunity to treat your ears to new sounds and rhythms, and to evoke sentiments buried deeper under the skin. Although recorded on a multi-track, the music is still performed live without overdubs like earlier Second Sufis recordings. Many of the sessions were recorded during rehearsal leading up to live performances. The recordings were remixed with only a few edits.
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MegaPlanet glass art by Josh Simpson of Simpson Contemporary Glass, http://www.megaplanet.com.
Used by permission. Photographed by Tommy Olof Elder. |
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Jerome Pier appears on the
earlier Seven Rays
and Slave Labor on Mars
CDs.
Mark Greeno appears on the earlier Seven
Rays and Metroplex
CDs.
| Sound Samples | |||
![]() Pearl (excerpt) |
![]() Rain |
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